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Magic Kingdom at Walt Disney World in Orlando, Florida
(Gary Hershorn/Getty Images)

Disney is weighing dynamic ticket pricing for its US parks

Disney wants to optimize the airline pricing model for its parks before bringing it to Disney World or Disneyland in the US.

Max Knoblauch

The happiest place on Earth might soon get a bit pricier on days that are particularly happy.

At a Wells Fargo tech summit on Wednesday, Disney said it’s been working on creating flexible pricing that can be changed in real time, like Uber’s surge pricing, at its US parks, and customers may see the change in years to come.

“Were actually investing in creating dynamic pricing. Were doing it in Paris right now. Weve been doing it for about a year. Its off to a very good start, but were really going to make sure we optimize it before we bring it into the domestic parks. So thats probably something that you wont see this year, but you may see in the subsequent years,” said Disney CFO Hugh Johnston, who added that the company already does the model at its hotels to some degree.

Johnston said he doesn’t like to think about dynamic ticket pricing as the same as the airline pricing model — probably because airline ticket pricing isn’t exactly beloved by consumers — though he acknowledges it’s similar. According to him, Disney is taking its time incorporating the pricing change to avoid negative feedback, though he says the company hasn’t seen any in Paris.

In its fiscal fourth-quarter earnings, released last week, Disney reported $10 billion in operating income for its Entertainment division, which includes parks. Disney’s domestic parks profit grew 9% to $920 million on the quarter, despite domestic attendance falling 1%. To put it another way, the company continues its mastery of wringing more out of less.

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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