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Mariah Carey Performs During NBC's Pre-Tape Christmas Tree Lighting
(James Devaney/Getty Images)
DO YOU HEAR WHAT I HEAR?

Christmas is coming earlier and earlier for music streamers

Mariah Carey and co. are cashing in on “christmas creep.”

Millie Giles

There’s always debate about when Christmas festivities should begin, with the fatigue-conscious putting off partaking until at least December 1, while others hardly wait for the Halloween decor to come down before decking the halls.

Still, like it or lump it, you’ll probably hear some of the most instantly recognisable xylophone tinkles in music history even earlier this year.

I-I-I... get streamed a lot for Christmas

It seems that Mariah Carey is already defrosted for 2025: her classic hit “All I Want for Christmas Is You” has officially reentered the Billboard Hot 100 after accruing almost 10 million streams (up 252% week over week) from October 31 to November 6, per Luminate.

This marks one of the earliest points that the song, which is estimated to gross up to $4 million each year, has ever charted in the US, only achieving this milestone at the very end of November in 2023.

It’s not just Mariah, however — Spotify data, compiled by Kworb, shows that users are generally listening to the wider Yuletide genre earlier each year, and in greater quantities.

Xmas music streams
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Last year, “AIWFCIY” had its biggest week on Spotify in history, accruing nearly 93 million streams from December 19 through 26 — and more than 323 million across the whole festive season, after first breaking into Spotify’s Top 200 songs on the week of November 7. “Last Christmas” by Wham! notched 314 million total streams over the same nine weeks on Spotify last year, and has also already reentered the Billboard chart in 2025.

Compare this to 2013, when both of these songs entered the Top 200 just three weeks before Christmas, and it’s clear that the music-on-demand era brought about by streaming has been good news for merry megahits. Indeed, four other popular Christmas songs have similarly seen the weeks they spend on the Spotify chart expand over the past decade.

Yuletidal drift

With the collective streams across all six efforts growing about 22x in all, the trend patently has something to do with streaming’s swelling user base. But the “christmas creep” observed in previous years might now be coming earlier as many seek comfort at the end of a tumultuous 2025.

Unlike coniferous trees that can only sit in your living room for a finite time, Christmas music can be played again and again (as retail workers will attest). And, when festive tunes can be listened to on a convenient playlist, rather than be physically dug out of a CD rack or vinyl collection, the guilt of playing them in November seems to be fading fast — music to the ears of streaming giants like Spotify, which released its Holiday Collection a month earlier this year than in previous seasons.

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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