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As it was: A brief history of recorded music

As it was: A brief history of recorded music

The music industry is continuing its comeback according to new data from the RIAA, with recorded music revenues in the US growing 9% in the first half of this year.

As it was

Driving much of that growth was streaming, which has given the music industry a much-needed revival after online piracy hastened the demise of mainstream physical formats like CDs.

That revival has struck a chord with a particular set of investors. In recent years powerhouse investment firms, designed solely to acquire music catalogs, have been paying millions to own the rights to songs from artists such as Bob Dylan, Bruce Springsteen and Shakira, anticipating that streaming is here to stay. Given the chart above, that is potentially quite a bold bet to make.

Even the most dominant listening mediums — vinyl, cassettes, CDs and downloads — have rarely lasted more than a decade. It's hard to imagine what might dethrone streaming, but if we were writing this in the late '80s we would likely have felt the same about the mighty CD.

It's interesting that many of the back catalog deals have been for the music publishing rights. That means the rights to the lyrics, melodies and musical composition of tracks, rather than just specific recordings of songs. Bob Dylan's work is a good example of why that's often been the case — Universal Music estimate his songs have been recorded some 6,000 times. Now every use, play, stream or sample of a Dylan song means a payment for Universal.

Back In Black

Although streaming is the headline act in music these days, it's actually not the fastest growing format. That honor falls to vinyl, which — according to RIAA data  — grew 22% in the first half of the year, building on the $1bn+ in vinyl revenue recorded in the US last year. Nostalgia remains undefeated.

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Disney is no longer considering spinning off ESPN, reports Business Insider

Disney’s new CEO, Josh D’Amaro, is said to have decided against spinning off sports giant ESPN, according to reporting by Business Insider.

The House of Mouse may still seek other partners to take minority stakes in ESPN, per the report. The NFL gained a 10% stake in the company last year in a deal that saw ESPN acquire NFL Network.

There’s been an ongoing push for several years to spin off ESPN, both inside Disney and from analysts and activist investors. Earlier this year, ESPN Chair Jimmy Pitaro downplayed rumors that emerged amid D’Amaro’s takeover, saying he’s heard the rumor since “the day [he] started at ESPN eight years ago.”

Disney shares were essentially flat in after-hours trading following the report.

There’s been an ongoing push for several years to spin off ESPN, both inside Disney and from analysts and activist investors. Earlier this year, ESPN Chair Jimmy Pitaro downplayed rumors that emerged amid D’Amaro’s takeover, saying he’s heard the rumor since “the day [he] started at ESPN eight years ago.”

Disney shares were essentially flat in after-hours trading following the report.

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Saleah Blancaflor

“The Devil Wears Prada 2” strutting toward a fresh rating on Rotten Tomatoes

Gird your loins. “The Devil Wears Prada 2,” the highly anticipated sequel from Disney and 20th Century Studios starring Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci, comes out this week.

Over the past few months, the studio ramped up its marketing, so you may have seen the fictional Runway magazine with Blunt’s Emily Charlton on the cover at a newsstand pop-up, or come across brand partnerships with L’Oréal Paris, TRESemmé, Tweezerman, or Diet Coke — the list goes on. The global press tour has also taken over social media, with the main cast — and their outfits — traveling across Mexico City, Tokyo, Seoul, Shanghai, New York City, and London to promote the movie. Hathaway and Tucci even appeared throughout a Jeopardy! category on Monday night.

But what do critics think of the movie? While the embargo for formal reviews lifts on Wednesday, April 29, at 12 p.m. ET, the embargo for social media reactions has already lifted, and according to critics from The Hollywood Reporter, Variety, AwardsWatch, and other publications, the general consensus seems mostly positive.

AwardsWatch Editor-in-Chief Erik Anderson posted on X that the sequel “has no right to be as good as it is.” He added, “Just the right kind and number of callbacks and earned nostalgia, Anne Hathaway continues to be our most vibrant star.”

Meanwhile, THR Senior Editor Alex Weprin referred to it as “a biting media parody wrapped up in high fashion,” while Variety Senior Artisans Editor Jazz Tangcay called it “the perfect sequel that exceeded all expectations.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. And while “The Devil Wears Prada 2” hits theaters in only a few days, prediction markets are currently pricing in odds that the movie will score above 65% on the site. That’s all.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

But what do critics think of the movie? While the embargo for formal reviews lifts on Wednesday, April 29, at 12 p.m. ET, the embargo for social media reactions has already lifted, and according to critics from The Hollywood Reporter, Variety, AwardsWatch, and other publications, the general consensus seems mostly positive.

AwardsWatch Editor-in-Chief Erik Anderson posted on X that the sequel “has no right to be as good as it is.” He added, “Just the right kind and number of callbacks and earned nostalgia, Anne Hathaway continues to be our most vibrant star.”

Meanwhile, THR Senior Editor Alex Weprin referred to it as “a biting media parody wrapped up in high fashion,” while Variety Senior Artisans Editor Jazz Tangcay called it “the perfect sequel that exceeded all expectations.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. And while “The Devil Wears Prada 2” hits theaters in only a few days, prediction markets are currently pricing in odds that the movie will score above 65% on the site. That’s all.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

culture
Saleah Blancaflor

Justin Bieber’s music keeps surging on streaming after Coachella

You better belieb it. After Justin Bieber headlined the Coachella Valley Music & Arts Festival in Indio, California, Billboard reports the pop star is experiencing the biggest non-Super Bowl catalog bump this year, with his music tripling in streams just days after his first set on April 11.

Following Biebers performance on Weekend 2 at Coachella on April 18 (which included appearances from Billie Eilish and SZA), his streams climbed even higher.

On Monday (April 20), Biebers streams reached a new high for the year, amassing 32.4 million official on-demand US streams, according to Luminate, which is a 12% increase from his total the previous Monday (just over 29 million) and a 5% gain from the previous Tuesday (30.9 million), his previous high-water mark for 2026.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Since the Coachella bump, hes had a total of six days with at least 30 million streams, compared with only four days in all of 2025, when he released his “Swag album.

Spotify reported that following Biebers first Coachella set, the pop star reached No. 1 on Spotify’s Global Top Artist chart, with his catalog surpassing 77 million streams in a single day, which marked his biggest streaming day of the year.

While prediction markets currently show that Bruno Mars is in the lead at 74% for the artist with the most monthly Spotify listeners at the end of April, Bieber could slowly catch up with a week left in the month. The Baby singer is currently in second place, with his odds at 27%.

On Monday (April 20), Biebers streams reached a new high for the year, amassing 32.4 million official on-demand US streams, according to Luminate, which is a 12% increase from his total the previous Monday (just over 29 million) and a 5% gain from the previous Tuesday (30.9 million), his previous high-water mark for 2026.

Loading...
 

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Since the Coachella bump, hes had a total of six days with at least 30 million streams, compared with only four days in all of 2025, when he released his “Swag album.

Spotify reported that following Biebers first Coachella set, the pop star reached No. 1 on Spotify’s Global Top Artist chart, with his catalog surpassing 77 million streams in a single day, which marked his biggest streaming day of the year.

While prediction markets currently show that Bruno Mars is in the lead at 74% for the artist with the most monthly Spotify listeners at the end of April, Bieber could slowly catch up with a week left in the month. The Baby singer is currently in second place, with his odds at 27%.

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