Culture
Social media time spent watching videos

We’re spending more time watching videos on social media

That’s cutting into how much we stream TV and movies

Streaming vs. Social media

For some time, small screens and big screens have been competing for our attention, with many people admitting to “second screening” — when they find themselves flicking through their phone while also absent-mindedly watching something on TV. Now, a new report from Variety suggests that a rise in video consumption on social media is eating into the time we spend streaming on-demand… and TikTok is leading the charge.

Social media time spent watching videos

Indeed, the average daily video watch time has increased from 2.12 hours in 2022 to 2.48 hours this year on TikTok, according to data from Media IDentity Graph supplied to Variety. That’s more than any other major social media platform’s watch time, many of which have pivoted to video to compete with TikTok (as with Instagram’s Reels feature).

With audiences spending more time on social video — video now accounts for almost 60% of average time spent on social networks, according to eMarketer — TikTok is now testing a 60-min length limit for uploads, upping the 15-min max established last year, and considerably greater than the 15-second ceiling that it had at launch.

Now, short- and long-form social video is cutting into time spent watching streaming, particularly for younger consumers: per Variety’s report, “Watching TV and movies together accounted for just 32% of media time among 13-24 year-olds, versus 59% for consumers over 35.

In fact, 58% of respondents aged 13-24 reported that they were spending less time watching “regular” TV because they were watching “non-premium” online videos (i.e., social video). Just as cable TV was quickly swallowed by on-demand streaming at the turn of the century, it was inevitable that an even bigger fish — and, in this case, a smaller screen — would eventually come along. 

As Delia Cai aptly put it:

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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