Rolling up the red carpet… Hollywood’s picket lines could grow longer as more showbiz workers fight for better contracts. In May, the Writers’ Guild of America (repping 11K+ scribes) went on strike to demand higher pay and stronger job protections. Then last week, the unrest intensified with actors in the spotlight: the SAG-AFTRA union, covering 160K entertainers, also failed to get better terms from studios, and extended its contract deadline.
Oscar status: 1K+ actors (including A-listers like Meryl Streep and Jennifer Lawrence) said they’re prepared to strike if a SAG deal isn’t reached by Thursday. It would be Hollywood’s first two-union strike in more than six decades.
Losing gold: The writers’ strike is said to be costing California $30M/day. If it runs over 100 days, about $81B in direct wages from 800K film and TV jobs could be at risk.
Tiny rooms, big problems… Much of the Hollywood unrest is a result of streaming’s rise, as studios like Netflix and Disney hustle to crank out new content to keep subscribers happy. While OG writers’ rooms (think: “Friends,” “30 Rock”) typically employed 7 to 10 staff writers for several months, “mini rooms” are becoming the norm. The problem: mini rooms hire fewer writers and offer lower pay — and contracts often last only a few weeks. Piling on to streaming woes, AI’s causing unrest as writers and actors worry over how chatbots and deep fakes might replace them (see: “Black Mirror”).
Hollywood’s lights reach beyond the stars… The film and TV biz creates 2M+ jobs in the US, contributing $186B in annual wages. A single film shot on location can add $250K/day to a local economy (picture: hotels and catered veggie trays). Now, Tinseltown could lose its sparkle as studios look outside the US to feed their content machines. Netflix, for instance, said it would spend $2.5B on Korean content in the next few years.