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Critics vs. audiences: Fan favorites don't often win at the Academy Awards

Critics vs. audiences: Fan favorites don't often win at the Academy Awards

Winning everything

‍_Everything Everywhere All At Once_ (EEAAO) was a big winner at last night’s 95th Academy Awards, taking home a total of 7 Oscars including best picture, best director, best actress, best original screenplay, and more.

The movie, the second best picture winner from indie studio A24, was a standout favorite in some categories. Despite a relatively limited budget, EEAAO managed a solid showing in cinemas — grossing over $100 million worldwide — but also won gushing critical response too.

Agree to disagreeObviously being popular with both reviewers and audiences is a winning formula, but the Academy often gives the gong to movies that win more relative favor with critics, rather than big box office blockbusters.

That trend can be seen in data from Rotten Tomatoes, a website that aggregates movie reviews from everyday users and professional critics. Since 1990, just 8 best picture winners have been favored more by fans than critics, compared to 23 in the opposite direction, including EEAAO. Forrest Gump is the most extreme split between audiences and critics, with a 95% audience approval and only a 71% critic approval rating. 2018’s The Shape of Water was the opposite, with a 92% fresh rating amongst critics, but just 72% from viewers.

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OpenAI set to air a minute-long Super Bowl ad for a second consecutive year, per WSJ

OpenAI is expected to broadcast a lengthy commercial at Super Bowl LX, The Wall Street Journal reported Monday.

Having aired its first-ever paid ad at last year’s Big Game, the ChatGPT maker is set to take another 60-second ad slot during NBC’s broadcast on February 8, according to people familiar with the matter.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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