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As it was: A brief history of recorded music

As it was: A brief history of recorded music

The music industry is continuing its comeback according to new data from the RIAA, with recorded music revenues in the US growing 9% in the first half of this year.

As it was

Driving much of that growth was streaming, which has given the music industry a much-needed revival after online piracy hastened the demise of mainstream physical formats like CDs.

That revival has struck a chord with a particular set of investors. In recent years powerhouse investment firms, designed solely to acquire music catalogs, have been paying millions to own the rights to songs from artists such as Bob Dylan, Bruce Springsteen and Shakira, anticipating that streaming is here to stay. Given the chart above, that is potentially quite a bold bet to make.

Even the most dominant listening mediums — vinyl, cassettes, CDs and downloads — have rarely lasted more than a decade. It's hard to imagine what might dethrone streaming, but if we were writing this in the late '80s we would likely have felt the same about the mighty CD.

It's interesting that many of the back catalog deals have been for the music publishing rights. That means the rights to the lyrics, melodies and musical composition of tracks, rather than just specific recordings of songs. Bob Dylan's work is a good example of why that's often been the case — Universal Music estimate his songs have been recorded some 6,000 times. Now every use, play, stream or sample of a Dylan song means a payment for Universal.

Back In Black

Although streaming is the headline act in music these days, it's actually not the fastest growing format. That honor falls to vinyl, which — according to RIAA data  — grew 22% in the first half of the year, building on the $1bn+ in vinyl revenue recorded in the US last year. Nostalgia remains undefeated.

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OpenAI set to air a minute-long Super Bowl ad for a second consecutive year, per WSJ

OpenAI is expected to broadcast a lengthy commercial at Super Bowl LX, The Wall Street Journal reported Monday.

Having aired its first-ever paid ad at last year’s Big Game, the ChatGPT maker is set to take another 60-second ad slot during NBC’s broadcast on February 8, according to people familiar with the matter.

culture

Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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