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Popcorn = profit: Popcorn is profitable, but the economics of running a cinema are still pretty tough

Popcorn = profit: Popcorn is profitable, but the economics of running a cinema are still pretty tough

The latest data from Box Office Mojo reveals that cinemas across the United States are taking between $10m and $15m in weekly admissions revenue in 2021. Last year in January they were averaging closer to $200m a week.

Even in "normal" times, running a large cinema chain was an extremely difficult prospect. We've visualised the latest fiscal year from AMC Entertainment, the largest cinema chain in the country, which reveals that AMC made just a 2% operating profit margin in 2019. That sliver of operating profit is then completely wiped out by the repayments that AMC has to make on its debt — meaning that in 2019 AMC actually lost $149m. And that was at least a "normal" year for cinema more generally.

So given everything that's happened to the movie-going industry it's remarkable that AMC Cinemas has managed to stay afloat. In January AMC raised almost $1bn of investment — an injection of capital that should help the company limp on for another six months. The fact that AMC shares have been caught up in the recent retail rally gave management a chance, if able to act quickly, to perhaps strengthen the company's balance sheet even further.

Popcorn = profit

Although AMC might be in poor financial health overall, its 2019 results reveal just how much cinemas are fleecing you on that popcorn + drink deal. In 2019 they scooped up more than $1.7bn in food & beverage sales, costing them just $279m to do so. That's a delicious 84% gross profit margin — and it's still not enough to keep the business sustainable.

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OpenAI set to air a minute-long Super Bowl ad for a second consecutive year, per WSJ

OpenAI is expected to broadcast a lengthy commercial at Super Bowl LX, The Wall Street Journal reported Monday.

Having aired its first-ever paid ad at last year’s Big Game, the ChatGPT maker is set to take another 60-second ad slot during NBC’s broadcast on February 8, according to people familiar with the matter.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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