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Male hosts dominate the world of podcasting, per a new USC report

True crime is the only top genre with a higher share of female voices.

Tom Jones

In 2019, people were already making jokes about how the collective noun for a group of men should be changed to “a podcast.” Not a lot’s changed six years later, with a new report from the USC Annenberg School for Communication and Journalism revealing that male hosts still dominate the format.

Typecasting

According to a new study led by Dr. Stacy L. Smith and the school’s Inclusion Initiative, women appeared as hosts on just 33% of the top 592 US podcasts on Spotify last year. The representation of women across the podcasting landscape represents a “low point” relative to other media, per the report, with the share of female participation across top films, TV shows, and songs all higher than podcasting last year.

Though things at the very top of the pod game are pretty even on the surface — six of the current top 10 podcasts on Spotify feature at least one female host, while around 50% of the 25 podcasts eligible for the Golden Globes’ inaugural Best Podcast award also have women behind the mic — the picture is less equal further down the list, with some striking splits by genre.

Podcast host gender chart
Sherwood News

Per the paper, women are least represented across business and tech podcasts, where just 8% of pods have one or more female hosts, as well as sports and fitness, with men taking an 81% share of popular sporting pod hosting duties. Indeed, of the top genres Smith et al. tracked, only true crime saw a higher share of female than male hosts — a pattern that holds up across listener figures for the genre, too.

Read the full study, “Inequality in Popular Podcasts? An Examination of Gender & Race/Ethnicity,” here.

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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