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Vibrant colored closed wooden doors in a row on blue sky and sea background. Choice and decisions concept
Vibrant colored closed wooden doors in a row on blue sky and sea background. Choice and decisions concept.
Greener grass

Millennials may not have been the real job-hoppers after all

New BLS data shows late boomers had actually held more jobs by the same age.

Before Gen Zs blank stare took over the workplace discourse, millennials were the generation everyone had a theory about: entitled, purpose-seeking, allergic to office life, and, perhaps above all, job-hoppy — the idea that they were less willing to commit, bouncing from employer to employer in search of better pay, faster growth… or maybe just a fun office with sleep pods and balance balls.

But new analysis from the Bureau of Labor Statistics tells a different story. According to the agency’s longitudinal survey data, Americans born from 1980 to 1984 had held an average of 9.4 jobs from age 18 through 38, fewer than the 10.2 jobs held by those born from 1957 to 1964 over the same age span.

The two cohorts accumulated jobs at almost identical rates until their mid-20s, when the boomer group began to pull ahead, ending up with nearly one additional job by age 38. 

So, was the millennial job-hopper myth overstated? A September report from the National Institute on Retirement Security suggests it was, finding that shorter tenure among younger workers is “largely consistent across generations.” The bigger driver of job-hopping, per the report, is the kind of labor market that makes it worthwhile, where companies are hiring and wages are rising.

That surely wasn’t the backdrop for early millennials, who came of age during the dot-com bust and were just getting started when the Great Recession hit, both of which likely made job-switching less attractive, or simply less available. Late boomers, by contrast, moved through their early careers in a far more mobile labor market: per the Institute of Labor Economics, job-to-job transitions ran higher through much of the 1980s and 1990s, before falling sharply after the 2001 recession and again after the 2008 financial crisis.

And, if this pattern sounds familiar, it might be because workers today are back in job-hugging mode, caught in a low-fire, low-hire economy where hiring has slowed, wage growth has cooled, and the quits rate remains near its lowest level in a decade.

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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