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Marvel's meteoric rise: We chart the rise of Marvel, the biggest movie franchise of all time

Marvel's meteoric rise: We chart the rise of Marvel, the biggest movie franchise of all time

Next week Marvel will premiere Black Widow, a superhero movie that will become the 24th in the Marvel Cinematic Universe since Iron Man kicked off the series back in 2008.

Marvel's meteoric rise

In 2007 Star Wars and James Bond were roughly tied as the biggest grossing movie franchises at the box office (US, inflation adjusted). It would have been pretty hard to imagine a franchise starting in 2008 that would go on to eclipse them both — but that is exactly what happened with the Marvel Cinematic Universe.

The chart above, which we've recreated thanks to data from The Numbers, shows how Disney's $4.2bn acquisition of Marvel has paid off handsomely since 2009. Since the deal the house of mouse has churned out Marvel movies like clockwork, at a rate of roughly 2 a year, for much of the last decade — racking up almost $10bn at the US box office and more than $20bn around the world.

Everything's a sequel now

As well as reinvigorating the superhero genre, the Marvel universe has also become the poster child for the trend of "sequelitis". That's the idea that sequels (or prequels), remakes and spin-offs have become increasingly prevalent in Hollywood and the cinematic world more generally.

Getting hard data on "sequelitis" depends a lot on how you define a sequel or a remake. For example 2019's movie Joker could easily be a stand-alone movie on its own, or be thought of as part of the Batman franchise (which it is in the chart above).

One simple test is just to look at the most popular 10 movies of each year. Taking 2019 as an example (which was the last "normal year" for cinema) is pretty telling. Every single movie in the top 10 is either a direct sequel (Avengers: Endgame, Toy Story 4, Frozen 2), a remake (Aladdin, Lion King) or a spin-off (Joker).

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OpenAI set to air a minute-long Super Bowl ad for a second consecutive year, per WSJ

OpenAI is expected to broadcast a lengthy commercial at Super Bowl LX, The Wall Street Journal reported Monday.

Having aired its first-ever paid ad at last year’s Big Game, the ChatGPT maker is set to take another 60-second ad slot during NBC’s broadcast on February 8, according to people familiar with the matter.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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