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Streaming royalty: Olivia Rodrigo's catapulted herself into the music streaming elite

Streaming royalty: Olivia Rodrigo's catapulted herself into the music streaming elite

Good 4 her

Olivia Rodrigo’s sophomore album Guts, released last Friday, continues to garner rave reviews from fans and critics, with the record reportedly set to debut at number 1 on the Billboard Hot 100 with over 285,000 sales in its first week.

The 20-year-old singer, whose infectious hit singles include “good 4 u” and “vampire”, may not be familiar to everyone, but her 2 albums have catapulted her into direct comparison with some of the biggest names in modern music.

Streaming royalty

Rodrigo is currently notching 45 million streams on Spotify every day, only behind Drake and Taylor Swift who are getting 50 million and 85 million plays a day, respectively. Interestingly, Rodrigo’s had to deny any animosity toward Swift — the subject of our Sunday Deep Dive back in July — after fans interpreted some Guts lyrics as not-so-subtle digs at her contemporary, following a legal copyright entanglement between the pair.

While she’s the third most-streamed artist in the world on daily counts, over 25 million ahead of established acts like Sheeran and Bieber, Rodrigo is still behind on lifetime streaming figures — understandable, though, given that she was born in 2003.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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