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Pixar's plight: The animation studio isn't creating the magic like it used to

Pixar's plight: The animation studio isn't creating the magic like it used to

The okayables

In 2017 The Atlantic caused a stir with “How Pixar Lost Its Way”, a piece calling time on the golden age of Pixar — the animation studio that almost single handedly relaunched the art of animated storytelling with compelling narratives for children and adults. In hindsight that call was probably right, though maybe a few years early, as the studio managed further box office success from sequels such as Toy Story 4 and Incredibles 2 followed up by solidly reviewed efforts during the pandemic, such as Soul and Luca.

But recent Pixar movies have struggled to recreate the magic of the original classics like Toy Story, Finding Nemo and Monsters, Inc. The studio's latest effort, Elemental, raked in just ~$30m at the box office last weekend, the second-lowest opening weekend debut in the history of Pixar. That follows on from the disappointing release of Lightyear — the origin story of one of the studio's most iconic characters — adding to the weight of evidence that Pixar's golden years are behind it.

Diagnosing Pixar's plight is difficult. It'd be easy to say things went wrong after Disney's acquisition of the company in 2006 — but the megahits didn't exactly stop overnight.

One factor is simply competition. Studios rushed to reproduce the Pixar magic... and eventually managed it. Disney's own animation studio got its act together with blockbusters like Frozen and Zootopia, while the recent success of Super Mario Bros. proves there's still plenty of life for the animated movie.

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Prediction markets show “One Battle After Another” leads in Oscar race for Best Picture

It’s finally Oscars week — and with voting officially closed, all that’s left to do is count the ballots and wait to see who wins this Sunday night. 

This year, the acting categories have been the most interesting to watch, especially the showdown between “Marty Supreme” star Timothée Chalamet and “Sinners” actor Michael B. Jordan for Best Actor. While Chalamet was long the favorite, Jordan has caught up and overtaken him after winning the Actor Award.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

But perhaps the most exciting race of all is for Best Picture. Out of the 10 nominees, the two at the top are Paul Thomas Anderson’s “One Battle After Another” and Ryan Coogler’s “Sinners,” both of which are studio releases from Warner Bros. Discovery

Which will win the top prize seems to be split among award pundits and experts. As of Monday afternoon, Gold Derby still has “One Battle After Another” as the front-runner with odds of 76.87%. AwardsWatch, AwardsRadar, and Numlock Awards are also still predicting that “One Battle After Another” will take the statue for Best Picture.

On the other side, reporters from some major trade publications like Variety’s Clayton Davis and The Hollywood Reporter’s Scott Feinberg predict that “Sinners” will take the top honor.

Odds in the prediction markets currently show that “One Battle After Another” is still ahead of “Sinners,” with the former priced in at 75% while the latter is priced at 23%.

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