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Pixar's plight: The animation studio isn't creating the magic like it used to

Pixar's plight: The animation studio isn't creating the magic like it used to

The okayables

In 2017 The Atlantic caused a stir with “How Pixar Lost Its Way”, a piece calling time on the golden age of Pixar — the animation studio that almost single handedly relaunched the art of animated storytelling with compelling narratives for children and adults. In hindsight that call was probably right, though maybe a few years early, as the studio managed further box office success from sequels such as Toy Story 4 and Incredibles 2 followed up by solidly reviewed efforts during the pandemic, such as Soul and Luca.

But recent Pixar movies have struggled to recreate the magic of the original classics like Toy Story, Finding Nemo and Monsters, Inc. The studio's latest effort, Elemental, raked in just ~$30m at the box office last weekend, the second-lowest opening weekend debut in the history of Pixar. That follows on from the disappointing release of Lightyear — the origin story of one of the studio's most iconic characters — adding to the weight of evidence that Pixar's golden years are behind it.

Diagnosing Pixar's plight is difficult. It'd be easy to say things went wrong after Disney's acquisition of the company in 2006 — but the megahits didn't exactly stop overnight.

One factor is simply competition. Studios rushed to reproduce the Pixar magic... and eventually managed it. Disney's own animation studio got its act together with blockbusters like Frozen and Zootopia, while the recent success of Super Mario Bros. proves there's still plenty of life for the animated movie.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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