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TRACK RECORD

Spotify Wrapped 2025 is here — and it’s more vital to the company’s bottom line than ever

As rival music services launch end-of-year recaps, keeping listeners loyal is crucial to Spotify’s long-term profits.

Millie Giles

If you’ve spent the year publicly panning the new Taylor Swift album, but streaming it on a loop behind closed doors, the season of reckoning is finally upon you: Spotify Wrapped is officially here.

On Tuesday, as Apple Music rolled out rival annual summary “Replay” — not to be confused with YouTube Music’s “Recap” or Amazon Music’s brand new feature, “Delivered,” which also both dropped yesterday — Spotify took to social media to tell users that Wrapped is “on the way,” before releasing it on Wednesday morning.

Music to your (y)ears

While the streaming giant’s viral feature has spawned countless imitators (including Reddit, Merriam-Webster, and the Empire State Building), none come close to the splash that Wrapped makes each year.

Spotify Wrapped Google Trends
Sherwood News

Looking at Google Trends data, searches for “spotify” peak annually around the time that Wrapped goes live (late November/early December), with searches for Apple recap offering also seeing a slight uplift.

Since its 2015 launch, Wrapped has only gained more online traction with each iteration: when it was released on December 4 last year, the volume of queries for “spotify” were up 150% relative to the two weeks before. And, though you might only see your social feeds inundated with top 5 lists, posts related to Wrapped provide invaluable brand visibility for Spotify.

Under wraps

But with competition in the music streaming space mounting — and Spotify’s ever-rising subscription prices making it the costliest service of the bunch — how do these ultra-personalized roundups translate to business for the company?

As we’ve noted before, Spotify relies heavily on its Premium users to make money. Indeed, the record user numbers that the company reported in FY24 was instrumental in turning its first-ever full year of profitability, with a net income of €1.14 billion ($1.2 billion), and its third-quarter results for 2025 were no exception.

Spotify users profits Q325
Sherwood News

While paid subscribers currently notch only two-thirds the amount of ad-supported users, this cohort drives almost all (94%) of Spotify’s gross profit. However, in contrast with Apple Music, which doesn’t have an ad-supported tier, Wrapped is available to both paying and nonpaying users.

Keeping the feature available to all listeners unlocks 446 million additional leads for free Spotify marketing. But, just like last year, when certain features of Wrapped were kept only for paid users, Spotify will likely gatekeep some elements once again — particularly with AI-powered features, including reports on five of your most notable days of listening, taking center stage in this year’s edition.

For Spotify, it’s all about music driving “layers, stories, and connection”... and gently nudging those millions of ad-supported users who can’t stop listening to Bad Bunny to fork out $11.99 a month.

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Saleah Blancaflor

Drake whiffs on an expected No. 1 on Spotify

Drake started at the bottom and he’s here, but not quite at the top... of Spotify, at least.

It’s been nearly three weeks since Drake dropped his three surprise albums — “Iceman,” “Habibti,” and “Maid of Honour.” Heading into the month, prediction markets were rating it a near certainty, a 98% chance, that Drake’s sonic onslaught was enough to snag the No. 1 slot on Spotify at least once in June.

But, while he surpassed the late Michael Jackson and took up three slots on the Billboard album chart at once, his newly released songs haven’t quite cracked the popular music-streaming platform’s top charts, and market seem to think the moment has passed.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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Saleah Blancaflor

Will critics and audiences go out of this world for Steven Spielberg’s “Disclosure Day”?

Legendary director Steven Spielberg is back with his first film in four years.

While 2022s Oscar-nominated The Fabelmans was a semi-autobiographical film, it looks like hes back to his sci-fi roots with the upcoming release of Universal Pictures Disclosure Day.

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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