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Substack afterparty in DC
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Substack.com got more traffic than The Wall Street Journal and CBS News in June

The popular newsletter platform clocked more US site visits than both major outlets last month.

Tom Jones

For creators looking to reach their audience directly whenever they like, and maybe even make millions in the process, Substack has been one of the places to be since its launch in 2017. Now, it’s becoming a go-to for news- and content-hungry readers, too, as US site visits hit a record 73.9 million in June, per new monthly data from Similarweb.

Substack site visits chart
Sherwood News

Last month, Substack’s site visits outweighed The Wall Street Journal and CBS News — the first time the platform has drawn more American eyeballs than both news sites in the same month, as millions more people flocked to substack.com to explore free and paid publications across business, tech, and culture, or perhaps even to look into starting their own outlets. Interestingly, traffic-tracking site Similarweb actually crowned Substack as its “Digital Winner” in January, after it notched 88% growth across its website and app last year.

For context, Similarweb told Chartr that Substack authors with their own custom domains, such as Matthew Yglesias’ “slowboring.com” aren’t included in the 73.9 million figure — meaning that the dominance of Substack and its legion of writers, podcasters, and video makers is maybe even undersold by that headline stat.

Stacked up

Though it’s nowhere near the size of YouTube in the “creator economy,” Substack has carved out a solid spot in the modern media landscape, attracting top writing talent who have, in turn, managed to attracts tens and even hundreds of thousands of paying subscribers. It’s a nice flywheel where the platform attracts writers, who bring their audience, which attracts more writers... and so on and so forth.

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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