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Remaking magic: The Little Mermaid joins a line of Disney remakes

Remaking magic: The Little Mermaid joins a line of Disney remakes

A bigger splash

‍_The Little Mermaid_ swam pretty strong over the Memorial Day weekend, netting a cool $95.4m in 3 days and some $117.5m for the full 4-day period, marking the holiday’s 5th biggest opening of all time.

Despite some controversy — and vast disparity between how the film’s being received by critics and consumers, like the Mario movie before itThe Little Mermaid has made a splash in theaters thus far, especially for a Disney live-action remake.  

‍**(Back) under the sea**

Disney has been bringing its cartoons to life with remakes and reimaginations for almost 3 decades, though it was Tim Burton’s Alice in Wonderland in 2010 that really got the House of Mouse’s live-action remake machine whirring, producing 13 films in the years since.

Not all of those revisits have been welcomed warmly, though. Indeed, just 4 of Disney’s 17 “live-action reimaginings” that got full theatrical releases have crossed the $100 million mark for domestic first weekend takings, a threshold that 18 Marvel movies have met since 2008. While The Little Mermaid’s $95m haul places it fifth in the remake rankings and beats recent offerings like Cruella and the second Maleficent installment, which debuted with just $21.5m and $37m, respectively, it’s some way down from the roaring success of The Lion King in 2019, by far Disney’s biggest live-action revisit.

And, with 14 more remakes reportedly lined up, it seems that Disney movie makers aren’t ready to call cut on live-action revamps just yet.

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Luke Kawa

Thieves are targeting “Pokémon” cards in robberies since they’ve skyrocketed in value

A real-life mishmash of different Team Rocket wannabes is having a lot more success thieving “Pokémon” cards than Jessie and James ever did in their attempts to pilfer Pikachu throughout the anime series.

The Washington Post reports on a string of DC-area heists of “Pokémon” cards, with CGC Cards Vice President Matt Quinn quoted as saying, “Any time you’re carrying around collectibles that are worth money, whether it be gold bars, Pokémon cards, coins, toy trains, or whatever it might be, you have to be vigilant with knowing that you’re carrying collectibles that can be easily stolen from you,” adding that these episodes are happening across the country.

Gotta thieve ’em all is an outgrowth of the massive boom in the value of “Pokémon” cards, with The Wall Street Journal reporting on 3,000% returns earlier this year. Their meteoric rise has been a big boon to GameStop, whose collectibles business has played a critical role in the stabilization and nascent turnaround of its operations.

Both individual cards and unopened packs have been targeted in robberies of stores and personal residences, per the Post report.

Stealing unopened packs of “Pokémon” cards is effectively thieving and buying call options at the same time: an individual pack might not be worth much on its own, but the most valuable cards in the recently released Mega Evolutions set are going for over $1,000. And at about 23 grams per pack and relative differences in security, the logistics seem a lot less onerous than trying to rob a gold dealer.

(Note: I don’t know for sure. I’m not a thief, besides that Klondike bar one time in high school.)

culture

iHeartMedia surges on report Netflix, competing with YouTube, wants its video podcasts

Video podcasts are becoming a key part of Netflix’s efforts to keep pace closely behind YouTube in the streaming wars.

According to reporting by Bloomberg, the streamer is in talks to exclusively license video pods from iHeartMedia. Shares of IHRT surged on Tuesday morning.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

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