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White noise: Spotify's latest source of tension

White noise: Spotify's latest source of tension

**Breathe in…**While many people turn to ambient music to unwind, "white noise" is becoming a source of tension for Spotify, as podcasts that play relaxing sounds are costing the company millions every year.

According to an internal document, as reported by Bloomberg, Spotify has been looking to remove white noise and other ambient content, in an effort to turn audiences towards shows that are more lucrative for the platform.

Accounting for ~3 million listening hours on Spotify every day, white noise podcasts deliver aural tranquillity through a variety of soothing sounds. Listeners tune in to falling rain, tropical birds, radio static, or even the whirs of fans and airplanes — and the popularity of the genre only seems to be growing. Data from Google reveals that YouTube searches for "sleep music", "rain sounds" and "white noise" have surged in recent years. This has meant that ad revenue for podcasters in the burgeoning field is at its zen-ith, with creators raking in as much as $18,000 per month, simply for looping the same pacifying noises on repeat.

Breathe out...

In 2019, Spotify acquired Anchor, the podcast creation app, in a bid to encourage users to host their own shows. Since then, creators have swarmed to the service, with 44% of the 4m+ podcasts listed in the Podcast Index, hosted on Anchor.

However, Spotify’s push towards ‘talk’-based content unintentionally advanced the listenership of white noise and ambient podcasts. As pressure to improve the streaming service’s profitability mounts, with the price of its premium service increasing last month, banning white noise podcasts was considered, with the company estimating it would have boosted profits by nearly $40m. Much to meditate on.

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Netflix is staffing up an apparent AI animation studio called INKubator

According to several public job listings, streaming giant Netflix appears to be building a GenAI animation studio called INKubator.

First reported by journalist Janko Roettgers in the Lowpass newsletter, INKubator seems to have launched in March and aims to “develop feature-quality content in a creator-led environment.”

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

As Lowpass reports, INKubator appears focused on AI-generated short-form animation, but listings imply ambitions toward longer-form content. Netflix didn’t immediately respond to a request for comment.

INKubator wouldn’t be Netflix’s first foray into AI. Back in March, it acquired Ben Affleck’s AI filmmaking startup InterPositive — which trains on individual films’ already-shot footage — for as much as $600 million depending on certain targets.

Netflix’s potential future AI-generated animations could be served to an increasingly ad-packed streaming service. At Netflix’s Upfront presentation on Wednesday, the company said its ad-supported tier has now reached 250 million subscribers globally, up 31% from November.

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Saleah Blancaflor

Netflix confirms a “KPop Demon Hunters” world concert tour is on the way

Netflix has a “Golden” mine and it's digging deeper.

At its fourth annual TV Upfront presentation on Wednesday, Netflix President of Advertising Amy Reinhard announced a partnership with AEG Presents to create a “KPop Demon Hunters” world tour that will bring the phenomenon to life.

In March, Bloomberg previously reported Netflix was planning a global world tour sometime next year ahead of the sequel in arenas that would hold 10,000 to 20,000 fans, though the news had not been confirmed by the company nor had a partner been in place at the time. 

“KPop Demon Hunters” is Netflix’s most watched film of all time, racking up 481.6 million views globally during the second half of 2025. Since its release, the HUNTR/X trio of Ejae, Audrey Nuna, and Rei Ami has appeared and performed at several major events including late-night talk shows, award ceremonies, and most recently at Coachella, where they were a surprise guest for Katseye. It hasn’t been confirmed whether the trio will be on the tour.

The announcement of the tour comes after Netflix co-CEO Ted Sarandos shared in a recent blog post that the company spent $135 billion on licensing and original film and TV over the last 10 years.

This year, Netflix has a projected content spend of $20 billion, up 10% year over year, while its annual revenue forecast is between $50.7 billion and $51.7 billion. The streaming giant has brought in more than $46 billion in profit over the past decade.

Netflix said more details around cities and tickets for the concert tour are expected to come out later this year.

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