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Jamie Wilde

“Joker” destroyed at the box office by low-budget slasher about a different clown

Not only is “Joker: Folie à Deux” not the biggest movie at the box office, but it’s not even the biggest clown movie. 

Instead, “Terrifier 3” is the top movie in the US after its debut. The movie’s about a sadistic clown terrorizing a small town — one of its pivotal scenes involves a chainsaw and a victim’s rear end. The flick, which cost just $2 million to make, raked in over $18 million this weekend, soundly beating out Hollywood’s $200 million flop, “Joker: Folie à Deux,” which made just $7 million.

While audiences are walking out of “Joker” because they hate it, people are sprinting out of “Terrifier 3” to puke. That’s by design: the movie’s main attraction is its extreme gore and violence, and that’s how the three-quel built its reputation and slowly upped its budget across three movies. 

The first “Terrifier” movie came out in 2008 and made 10 times its $35,000 budget. The second movie cost $250,000 to make in 2022 and raked in more than 60 times its budget. 

“Terrifier 3” has broken into the mainstream as audiences signal to Hollywood that they prefer killer clowns that don’t perform show tunes.

While audiences are walking out of “Joker” because they hate it, people are sprinting out of “Terrifier 3” to puke. That’s by design: the movie’s main attraction is its extreme gore and violence, and that’s how the three-quel built its reputation and slowly upped its budget across three movies. 

The first “Terrifier” movie came out in 2008 and made 10 times its $35,000 budget. The second movie cost $250,000 to make in 2022 and raked in more than 60 times its budget. 

“Terrifier 3” has broken into the mainstream as audiences signal to Hollywood that they prefer killer clowns that don’t perform show tunes.

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OpenAI set to air a minute-long Super Bowl ad for a second consecutive year, per WSJ

OpenAI is expected to broadcast a lengthy commercial at Super Bowl LX, The Wall Street Journal reported Monday.

Having aired its first-ever paid ad at last year’s Big Game, the ChatGPT maker is set to take another 60-second ad slot during NBC’s broadcast on February 8, according to people familiar with the matter.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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