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Doechii performs at the Grammys
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Doechii performs at the Grammy awards in February (Kevin Winter/Getty Images)

Doechii’s “Anxiety” shows how TikTok is tilting toward celebrity

TikTok’s original strength was that it could make anyone famous. Now it’s just pushing the celebs who parachute into trends.

Ryan Broderick, Adam Bumas

Rapper Doechii’s song “Anxiety” is everywhere right now. It is, of course, almost entirely thanks to TikTok. But what’s fascinating is how differently “Anxiety” has been performing on the app compared to previous viral hits. Tracing how “Anxiety” went from an obscure single to a global phenomenon might be the best evidence yet that one era of TikTok has ended and a new one has begun.

“Anxiety” was released in 2019 on YouTube, years before Doechii would go on to have chart-topping, Grammy-winning success. On her YouTube channel, the original video, as well as a reupload a year later, didn’t get the same attention as her later hits, especially since it wasn’t initially released on music streaming platforms — likely because it samples 2010s mega-viral hit “Somebody That I Used to Know,” by Gotye and Kimbra. Before the frenzy this year, the closest “Anxiety” ever came to an official release was ending up as a sample, itself, in a song by the rapper Sleepy Hallow in 2023. But the song stayed fairly obscure. 

Archives of the videos show that at the beginning of the year, the original had less than 50,000 views on YouTube, and the reupload had less than 200,000. All of that changed for the same reason Doechii’s career took off in the first place: TikTok. 

On February 14, user @cuervothegoat uploaded the largely forgotten video and optimized it for the platform, turning the originally horizontal video into something that looked better vertical for mobile devices. Over the next two weeks, it took TikTok by storm. According to The Tab, over 40,000 videos used the sound by the end of the month, with thousands more using other recordings of the song. Every one of the videos, whether they recreated Doechii’s “Fresh Prince”-inspired dance or just reused the song, was filled with comments begging Doechii to release an official version.

@cuervothegoat This what it look like when you allow yourself to shine regardless of whose watching #doechii #bars #beforethefame #lyricism #fypツ #tde ♬ original sound - Franklin Saint

On February 28, Doechii announced on TikTok that she would be rerecording and officially releasing “Anxiety.” The new version dropped on March 4 and became her biggest release ever, debuting at No. 2 on Spotify’s global charts. It was streamed over 130 million times in its first month. Her original YouTube uploads of the song gained millions of views, as well, on top of over 30 million for the new, official video. All of this was being driven by TikTok.

The official sound was used in over 100,000 videos on the short-form video platform in its first month, making it the single most popular sound of the year, TikTok’s own analytics show. And the users who had plucked a hit from the depths of Doechii’s back catalog kept up their end of the bargain, though they saw only a tiny sliver of the same attention from it. Since the song was released, @cuervothegoat received approximately 2 million more likes on the video that started the trend, but Doechii’s announcement alone received more than 4x that amount, not even counting the song itself. 

This is where we’ve noticed a key difference in how TikTok functions.

Up until recently, TikTok not only didn’t favor established celebrities — they were almost never present on Garbage Day’s monthly lists of top videos and hashtags — but the app also tended to favor smaller users who originated a trend. In fact, this was even true for Doechii herself. She is one of thousands of musicians who got their start on TikTok. The app’s emphasis on music and a completely algorithmic feed put unknown singers and songwriters on an equal footing with some of the biggest names in the industry. 

Since then, like many social networks before it, TikTok’s higher prominence has shifted its priorities toward the people who are already at the top. Would “Anxiety” be a trend without Doechii’s Best Rap Album win and lauded performance at the Grammys two weeks earlier? Probably not. And the strongest piece of evidence is the even bigger star who got even more attention off “Anxiety” than Doechii did.

Will Smith wasn’t sampled in Doechii’s song, but the dance that accompanied the song’s TikTok virality was inspired by an episode of “The Fresh Prince of Bel-Air.” When Smith posted the original clip to his TikTok account the day after Doechii officially released the song, it got more attention than her announcement did. A week later, they officially collaborated, with two videos of Doechii, Will, and Tatyana Ali of “Fresh Prince” earning more than 100 million views and over 20 million likes on the platform.

@willsmith Waited 35 years for this dance to trend. Ib: @Mimii ♬ Anxiety - Doechii

These weren’t just the most popular videos on TikTok to feature the song — they were the two biggest videos on the whole platform for the month of March.

It’s hard not to see this shift from favoring smaller users to amplifying accounts that are already large as being directly tied to TikTok’s nebulous existence following its not-quite-ban earlier this year. This is a strategy that shows up time and time again from social networks that want to play it safe. Instagram has tried its own version of this recently, too. 

But it’s especially noticeable on TikTok because it’s a reversal of one of the core features of the platform. It also means that even if the app gives us a new hit like “Anxiety,” we might not know the name of the user that did all the work to make it trend.


Garbage Day is an award-winning newsletter that focuses on web culture and technology, covering a mix of memes, trends, and internet drama. We also run a program called Garbage Intelligence, a monthly report tracking the rise and fall of creators and accounts across every major platform on the web. We’ll be sharing some of our findings here on Sherwood News. You can subscribe to Garbage Day here.

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Looking into its Warner Bros. acquisition, the DOJ probes Netflix for anticompetitive tactics

As the Department of Justice probes Netflix’s proposed $83 billion acquisition of Warner Bros. Discovery, it has reportedly subpoenaed at least one other entertainment company to investigate whether the streamer has taken part in anticompetitive behavior.

Netflix said the DOJ is conducting a standard review and it expects its acquisition to be approved.

Per Wall Street Journal reporting, the DOJ is also seeking out information on how Paramount’s proposed acquisition could harm competition in the entertainment industry.

Netflix has argued that its acquisition of WBD would not be anticompetitive, as there is an 80% overlap in Netflix and HBO Max subscribers. The company has said it competes not just with streaming services but also with broader content platforms like YouTube and TikTok for attention. Netflix booked $45.2 billion in revenue in 2025, compared to YouTube’s $60 billion.

The streamer has repeatedly said it will stick to a 45-day theatrical release window for Warner Bros. films. Movie theater trade groups have pointed out that after theatrical release, many films move to premium video on-demand (PVOD), where they can be digitally rented or purchased for several more weeks or months before moving to streaming (subscription video on-demand, or SVOD). According to Cinema United, the average SVOD window for major theatrical films is 102 days, significantly longer than the potential 45-day window for Netflix.

Per Wall Street Journal reporting, the DOJ is also seeking out information on how Paramount’s proposed acquisition could harm competition in the entertainment industry.

Netflix has argued that its acquisition of WBD would not be anticompetitive, as there is an 80% overlap in Netflix and HBO Max subscribers. The company has said it competes not just with streaming services but also with broader content platforms like YouTube and TikTok for attention. Netflix booked $45.2 billion in revenue in 2025, compared to YouTube’s $60 billion.

The streamer has repeatedly said it will stick to a 45-day theatrical release window for Warner Bros. films. Movie theater trade groups have pointed out that after theatrical release, many films move to premium video on-demand (PVOD), where they can be digitally rented or purchased for several more weeks or months before moving to streaming (subscription video on-demand, or SVOD). According to Cinema United, the average SVOD window for major theatrical films is 102 days, significantly longer than the potential 45-day window for Netflix.

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Report: Meta pouring $65 million into PACs backing pro-AI state candidates

With a pro-tech, pro-AI administration in Washington, DC, Meta has decided the next battlegrounds that it needs to flood with cash are in individual states.

Starting in Meta’s home state of California, the tech giant is pledging $65 million to a pair of super PACs that it created to fund pro-tech and pro-AI candidates at the state level, according to a report from Politico.

Meta has funded the American Technology Excellence Project ($45 million) and Mobilizing Economic Transformation Across (META) California ($20 million) to push back on what it sees as burdensome AI regulations coming from state legislatures.

The META California PAC will support tech-friendly candidates regardless of party.

Starting in Meta’s home state of California, the tech giant is pledging $65 million to a pair of super PACs that it created to fund pro-tech and pro-AI candidates at the state level, according to a report from Politico.

Meta has funded the American Technology Excellence Project ($45 million) and Mobilizing Economic Transformation Across (META) California ($20 million) to push back on what it sees as burdensome AI regulations coming from state legislatures.

The META California PAC will support tech-friendly candidates regardless of party.

TrumpRx

When is TrumpRx launching?

Not on schedule, for one thing.

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Jon Keegan

FTC will appeal Meta antitrust case

Only a few months after successfully defending itself from an FTC antitrust lawsuit, Meta may be heading back to court. Today, the FTC announced that it would appeal the decision, reopening a yearslong suit.

The FTC called Meta’s acquisition of Instagram and WhatsApp an illegal monopoly. The judge in the case found that in the years since the suit was first brought, the competitive landscape had changed dramatically, with Meta facing fierce competition from TikTok.

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Netflix goes all-cash in bid for Warner Bros., boosting its odds

Netflix on Tuesday applied more pressure to Paramount Skydance in the ongoing bidding war for Warner Bros. Discovery, amending its offer to an all-cash proposal.

Netflix shares ticked up in premarket trading, while Paramount and Warner Bros. were down less than 1%.

The move, which was expected, does not increase the value of Netflix’s $82.7 billion offer for WBD. Netflix said shareholders will be able to vote on the deal in April.

In a Tuesday filing, Warner Bros. said that it values Discovery Global, the spin-off of its cable assets, at between $1.33 and $6.86 per share. Earlier this month, Paramount said it valued the cable TV business at $0 per share.

With Tuesday’s update, event contracts have swung even further in Netflix’s favor, with Paramount’s odds to end up in control of Warner Bros. falling to 14%. That’s below the odds for “none.”

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

The move, which was expected, does not increase the value of Netflix’s $82.7 billion offer for WBD. Netflix said shareholders will be able to vote on the deal in April.

In a Tuesday filing, Warner Bros. said that it values Discovery Global, the spin-off of its cable assets, at between $1.33 and $6.86 per share. Earlier this month, Paramount said it valued the cable TV business at $0 per share.

With Tuesday’s update, event contracts have swung even further in Netflix’s favor, with Paramount’s odds to end up in control of Warner Bros. falling to 14%. That’s below the odds for “none.”

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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