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Chappell Roan performs during the 2024 Governors Ball in New York City (Getty Images)
NATIONAL ANTHEMS

American music artists dominate both US and international charts

Still, countries like India, Italy, and Japan overwhelmingly listen to songs from homegrown artists.

Millie Giles

Though there was no real definitive song of the summer this year (bar an ad jingle that took social media by storm), one thing’s remained clear: American pop stars aren’t going anywhere.

While many international artists are enjoying meteoric rises — reaching new audiences all over the world thanks to global platforms like Spotify, YouTube, and even TikTok — most of the world’s biggest music acts are still born in the US. Indeed, looking at Spotify’s top artists and songs globally for 2024, the majority are American artists; zooming out further, a chart of the platform’s most streamed artists of all time tells a similar story.

Hometown glory

Using 12 months’ worth of data from Spotify’s weekly Top 200 chart, piano-learning app Skoove assessed where the music that different nations listen to actually comes from. Of the 73 nations analyzed, 70 had the US in the top five list of where their most-streamed songs originate.

However, some nations still have a lot of homegrown talent on repeat.

Topping the list for home nation artist fandom is India: with a music industry largely ruled by Bollywood soundtracks, 85% of the country’s streams came from Indian artists.

In fact, Turkey, Vietnam, Italy, and Japan — each with their own thriving national music scene — all saw more than 80% of their streams made up by local artists. The popularity of K-pop music, originating from South Korea, was also more evident in Asian countries like Thailand, though its influence on Western culture is mounting.

Despite international success, no country loves American artists more than America itself, where they take a 79% share of Spotify streams. Even with a massive entertainment industry of its own, UK listeners still look to the US for most of their music, with American artists commanding a 55% share of British plays — considerably more than British artists’ 29%.

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$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the Avatar franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second Avatar entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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In less than 3 weeks, Disney’s “Zootopia 2” becomes the second billion-dollar film of 2025

The global film industry officially has its second billion-dollar film of the year, as Disney’s “Zootopia 2” surged past the $1 billion box office mark in just 17 days. The other billion-dollar film this year, the live-action “Lilo & Stitch,” was also made by Disney.

“Zootopia” was the fastest to reach 10 figures of any animated film. The animated hit, which had the highest-grossing global debut of the year over Thanksgiving weekend, has benefited from massive numbers in China.

Disney also logged two billion-dollar films last year with “Inside Out 2” and “Moana 2.” (The latter also came out over the Thanksgiving holiday.) The only other film to cross the mark in 2024 was “Deadpool and Wolverine,” which featured Disney’s IP.

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