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2024 Governors Ball Chappell Roan
Chappell Roan performs during the 2024 Governors Ball in New York City (Getty Images)
NATIONAL ANTHEMS

American music artists dominate both US and international charts

Still, countries like India, Italy, and Japan overwhelmingly listen to songs from homegrown artists.

Millie Giles

Though there was no real definitive song of the summer this year (bar an ad jingle that took social media by storm), one thing’s remained clear: American pop stars aren’t going anywhere.

While many international artists are enjoying meteoric rises — reaching new audiences all over the world thanks to global platforms like Spotify, YouTube, and even TikTok — most of the world’s biggest music acts are still born in the US. Indeed, looking at Spotify’s top artists and songs globally for 2024, the majority are American artists; zooming out further, a chart of the platform’s most streamed artists of all time tells a similar story.

Hometown glory

Using 12 months’ worth of data from Spotify’s weekly Top 200 chart, piano-learning app Skoove assessed where the music that different nations listen to actually comes from. Of the 73 nations analyzed, 70 had the US in the top five list of where their most-streamed songs originate.

However, some nations still have a lot of homegrown talent on repeat.

Topping the list for home nation artist fandom is India: with a music industry largely ruled by Bollywood soundtracks, 85% of the country’s streams came from Indian artists.

In fact, Turkey, Vietnam, Italy, and Japan — each with their own thriving national music scene — all saw more than 80% of their streams made up by local artists. The popularity of K-pop music, originating from South Korea, was also more evident in Asian countries like Thailand, though its influence on Western culture is mounting.

Despite international success, no country loves American artists more than America itself, where they take a 79% share of Spotify streams. Even with a massive entertainment industry of its own, UK listeners still look to the US for most of their music, with American artists commanding a 55% share of British plays — considerably more than British artists’ 29%.

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Hollywood is developing a film adaptation of the wildly popular Roblox gardening sim created by a 16-year-old

A popular Roblox game being developed for the big screen could test the limits of the recent success of video game film adaptations.

“Grow a Garden,” a gardening sim in which players plant seeds, sell their crops for in-game currency called sheckles, and then use that money to purchase more seeds, is reportedly being adapted as a feature film by production company Story Kitchen (which has adapted other video games for the big and small screen such as “Tomb Raider”). Can we start the awards season buzz now?

The game has become hugely popular, boosting Roblox’s player counts and breaking concurrent user records multiple times in recent months. It was also originally created by a 16-year-old.

No doubt Hollywood, and Roblox, are hoping that every kid-friendly video game adaptation can see the billion-dollar (or close to it) success of Nintendo’s “The Super Mario Bros. Movie” and Microsoft’s “A Minecraft Movie.”

The game has become hugely popular, boosting Roblox’s player counts and breaking concurrent user records multiple times in recent months. It was also originally created by a 16-year-old.

No doubt Hollywood, and Roblox, are hoping that every kid-friendly video game adaptation can see the billion-dollar (or close to it) success of Nintendo’s “The Super Mario Bros. Movie” and Microsoft’s “A Minecraft Movie.”

culture
Luke Kawa

Thieves are targeting “Pokémon” cards in robberies since they’ve skyrocketed in value

A real-life mishmash of different Team Rocket wannabes is having a lot more success thieving “Pokémon” cards than Jessie and James ever did in their attempts to pilfer Pikachu throughout the anime series.

The Washington Post reports on a string of DC-area heists of “Pokémon” cards, with CGC Cards Vice President Matt Quinn quoted as saying, “Any time you’re carrying around collectibles that are worth money, whether it be gold bars, Pokémon cards, coins, toy trains, or whatever it might be, you have to be vigilant with knowing that you’re carrying collectibles that can be easily stolen from you,” adding that these episodes are happening across the country.

Gotta thieve ’em all is an outgrowth of the massive boom in the value of “Pokémon” cards, with The Wall Street Journal reporting on 3,000% returns earlier this year. Their meteoric rise has been a big boon to GameStop, whose collectibles business has played a critical role in the stabilization and nascent turnaround of its operations.

Both individual cards and unopened packs have been targeted in robberies of stores and personal residences, per the Post report.

Stealing unopened packs of “Pokémon” cards is effectively thieving and buying call options at the same time: an individual pack might not be worth much on its own, but the most valuable cards in the recently released Mega Evolutions set are going for over $1,000. And at about 23 grams per pack and relative differences in security, the logistics seem a lot less onerous than trying to rob a gold dealer.

(Note: I don’t know for sure. I’m not a thief, besides that Klondike bar one time in high school.)

culture

iHeartMedia surges on report Netflix, competing with YouTube, wants its video podcasts

Video podcasts are becoming a key part of Netflix’s efforts to keep pace closely behind YouTube in the streaming wars.

According to reporting by Bloomberg, the streamer is in talks to exclusively license video pods from iHeartMedia. Shares of IHRT surged on Tuesday morning.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

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