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Super share: Are movie heroes officially past the peak?

Super share: Are movie heroes officially past the peak?

Super share

Superheroes saving lives on the silver screen can be traced back over 80 years — and much further than that depending on which cinephile you ask — with the first comic book movie adaptation Adventures of Captain Marvel coming out in 1941. However, it’s only in recent decades that the genre has soared in popularity, tightening its grip on Hollywood thanks to multiverses and movie slates of madness, with almost-monthly releases in some years.

According to box office data tracking site The Numbers, superhero movies became the first category ever to outweigh “contemporary fiction” (a catch-all bucket that picks up movies that don’t fit into other genres). Contemporary fiction accounted for 62% of US ticket sales at its 1997 peak, but it lost the top spot for the first time in 2021 after superheroes took a whopping 31% share of the moviegoer market, thanks in part to smash hits like Spider-Man: No Way Home and Black Widow.

To put that into perspective, the genre barely registered 20 years earlier, when it captured just 0.1% market share in 2001. Indeed, superhero movies didn't make up more than 10% of American box office receipts until 2008 — a year often pointed to as the start of the modern era of super movies.

Growing tired?

Despite the genre’s meteoric rise, (relatively) poor recent box office showings for movies like Ant-Man and The Wasp: Quantumania and Shazam! Fury of the Gods, as well as continuing high-profile conversations around the form’s artistic merits, have led some to wonder whether “superhero fatigue” is starting to set in.

A survey from last summer found 41% of adults said they "don't like" superhero movies, up from 36% in 2021, and the genre currently accounts for 17% of US tickets sold in 2023, down 14% from its record-breaking 2021 peak.

Talk of fatigue does have some die-hard devotees and comic book moviemakers worried, though. Director and DC Studio co-CEO James Gunn, for example, admitted last month that the phenomenon is real, though he contests that it has more to do with growing tired of “the kind of stories that get to be told” and “watching things bash each other”. Gunn’s latest effort, Guardians of the Galaxy 3, is reportedly bucking the tiring trend in its first few weeks of release, and the theory will really be put to the test later this year after another raft of superhero movies hit the big screen.

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Tamagotchis are making a comeback, 3 decades after first becoming a global toy craze

If you were a ’90s kid, you might remember the craze around little egg-shaped toys with an 8-bit digital screen, displaying an ambiguous pet-thing that demanded food and attention.

Now, on the brand’s 30th anniversary, the Tamagotchi the Japanese pocket-sized virtual pet that launched a thousand cute and needy tech companions, from Nintendogs to fluffy AI robots — is making a minor comeback.

Tamagotchi Google Search Trends
Sherwood News

Looking at Google Trends data, searches for “tamagotchi” spiked in December in the US, up around 80% from just six months prior, with the most search volume in almost two decades.

While the toys are popular Christmas gifts, with interest volumes often seen ticking up in December each year, the sudden interest might also have something to do with the birthday celebrations that creator and manufacturer Bandai Namco are putting on, including a Tokyo exhibition that opened on Wednesday.

Game, set, hatch

More broadly, modern consumers appear to have a growing obsession with collectibles (see: Labubu mania), as well as a taste for nostalgia (see: the iPod revival, among many other trends).

But, having finally hit 100 million sales in September last year, the brand itself is probably just glad to exist, giving a whole new generation the chance to experience the profound grief of an unexpected Tamagotchi death.

$5.6B

Disney could be well on its way to its third billion-dollar film of the year following a $345 million opening weekend for “Avatar: Fire and Ash.” The film’s opening gross puts the “Avatar” franchise’s total box office earnings at $5.6 billion — and counting.

The latest film, the second “Avatar” entry under Disney’s tent, earned about 75% of its total box office gross internationally — in line with previous movies in the (as of now) trilogy. Domestically, this one earned $88 million, falling short of expectations.

“Fire and Ash” was the widest Imax release ever, debuting on 1,703 screens globally and earning $43.6 million through the format. The $345 million “Fire and Ash” opening weekend was the second-highest of 2025, behind Disney’s “Zootopia 2,” which recently passed the $1 billion mark, globally.

Year to date, Disney has earned $5.8 billion globally at the box office.

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