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Super share: Are movie heroes officially past the peak?

Super share: Are movie heroes officially past the peak?

Super share

Superheroes saving lives on the silver screen can be traced back over 80 years — and much further than that depending on which cinephile you ask — with the first comic book movie adaptation Adventures of Captain Marvel coming out in 1941. However, it’s only in recent decades that the genre has soared in popularity, tightening its grip on Hollywood thanks to multiverses and movie slates of madness, with almost-monthly releases in some years.

According to box office data tracking site The Numbers, superhero movies became the first category ever to outweigh “contemporary fiction” (a catch-all bucket that picks up movies that don’t fit into other genres). Contemporary fiction accounted for 62% of US ticket sales at its 1997 peak, but it lost the top spot for the first time in 2021 after superheroes took a whopping 31% share of the moviegoer market, thanks in part to smash hits like Spider-Man: No Way Home and Black Widow.

To put that into perspective, the genre barely registered 20 years earlier, when it captured just 0.1% market share in 2001. Indeed, superhero movies didn't make up more than 10% of American box office receipts until 2008 — a year often pointed to as the start of the modern era of super movies.

Growing tired?

Despite the genre’s meteoric rise, (relatively) poor recent box office showings for movies like Ant-Man and The Wasp: Quantumania and Shazam! Fury of the Gods, as well as continuing high-profile conversations around the form’s artistic merits, have led some to wonder whether “superhero fatigue” is starting to set in.

A survey from last summer found 41% of adults said they "don't like" superhero movies, up from 36% in 2021, and the genre currently accounts for 17% of US tickets sold in 2023, down 14% from its record-breaking 2021 peak.

Talk of fatigue does have some die-hard devotees and comic book moviemakers worried, though. Director and DC Studio co-CEO James Gunn, for example, admitted last month that the phenomenon is real, though he contests that it has more to do with growing tired of “the kind of stories that get to be told” and “watching things bash each other”. Gunn’s latest effort, Guardians of the Galaxy 3, is reportedly bucking the tiring trend in its first few weeks of release, and the theory will really be put to the test later this year after another raft of superhero movies hit the big screen.

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Luke Kawa

Thieves are targeting “Pokémon” cards in robberies since they’ve skyrocketed in value

A real-life mishmash of different Team Rocket wannabes is having a lot more success thieving “Pokémon” cards than Jessie and James ever did in their attempts to pilfer Pikachu throughout the anime series.

The Washington Post reports on a string of DC-area heists of “Pokémon” cards, with CGC Cards Vice President Matt Quinn quoted as saying, “Any time you’re carrying around collectibles that are worth money, whether it be gold bars, Pokémon cards, coins, toy trains, or whatever it might be, you have to be vigilant with knowing that you’re carrying collectibles that can be easily stolen from you,” adding that these episodes are happening across the country.

Gotta thieve ’em all is an outgrowth of the massive boom in the value of “Pokémon” cards, with The Wall Street Journal reporting on 3,000% returns earlier this year. Their meteoric rise has been a big boon to GameStop, whose collectibles business has played a critical role in the stabilization and nascent turnaround of its operations.

Both individual cards and unopened packs have been targeted in robberies of stores and personal residences, per the Post report.

Stealing unopened packs of “Pokémon” cards is effectively thieving and buying call options at the same time: an individual pack might not be worth much on its own, but the most valuable cards in the recently released Mega Evolutions set are going for over $1,000. And at about 23 grams per pack and relative differences in security, the logistics seem a lot less onerous than trying to rob a gold dealer.

(Note: I don’t know for sure. I’m not a thief, besides that Klondike bar one time in high school.)

culture

iHeartMedia surges on report Netflix, competing with YouTube, wants its video podcasts

Video podcasts are becoming a key part of Netflix’s efforts to keep pace closely behind YouTube in the streaming wars.

According to reporting by Bloomberg, the streamer is in talks to exclusively license video pods from iHeartMedia. Shares of IHRT surged on Tuesday morning.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

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