Culture
A General View Of 2017 Coachella Valley Music And Arts Festival
A billboard advertising Lady Gaga at the Coachella Valley Music and Arts Festival in 2017 (Kevin Winter/Getty Images)
CULTURAL DESERT

Coachella 2025 kicks off with scorching weather and cooling demand

Two decades of bumper lineups and boho energy later, does America’s most profitable festival need a vibe check?

Millie Giles

In case you missed an onset of sun-baked valleys, brand-sponsored stages, bandana-wearing influencers, and cryptic artist billboards cropping up on your Instagram feeds, Coachella 2025 starts today.

This year, headliners Lady Gaga, Post Malone, Green Day, and Travis Scott will take to the main stage over two April weekends in the desert, where the weather is expected to reach triple digits. For those who don’t want to brave the 100-degree heat, performances will be available to watch on the new Coachella Livestream app, made in partnership with YouTube — as well on the video platform itself, which has been the exclusive streamer of the festival since 2011. 

However, those looking to hit the Valley itself this month to catch their favourite artists still can. As it stands, the festival is not yet sold out, in stark contrast to the ’00s and ’10s, when wristbands would be snapped up in a matter of days or even minutes. This follows 2024, when ticket sales were the slowest they’d been in 10 years, and weekend passes went for below face value on resale sites.

Dust settles

So, after a few golden decades of flower crowns and face glitter, are the Coachella vibes, typically the festival’s most valuable currency, finally fading?

Peak music festival coachella
Sherwood News

Search queries for “coachella” first spiked in 2012 — when the event was held over two weekends, Instagram was just starting to blow up, and a surprise Tupac hologram joined Snoop Dogg onstage — before peaking in 2018, the year that the historic “Beychella” performance took place. Since then, though, online interest has slumped, with postpandemic years progressively declining in search volume.

While some have pointed to Coachella’s over-corporatization as a reason for the slowdown, a similar trend can be seen across several other popular US festivals, like Bonnaroo, Lollapalooza, and South by Southwest. Dual peaks are seen annually for most festivals, when tickets are released and then again when it takes place, but most just aren’t building the same hype in recent years that they did in decades prior.

Break camp

One notable exception is Burning Man, which saw online interest peak in 2023 after flash flooding left techno-heads stranded — but attendance figures from the festival have also waned. Perhaps in the postpandemic world, a few disastrous festivals and some healthy livestreams are enough to convince people to just tune in from the comfort of their homes... That said, Live Nation just had its best year for attendance ever, and Fyre Fest 2 is inexplicably on the cards.

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Hollywood is developing a film adaptation of the wildly popular Roblox gardening sim created by a 16-year-old

A popular Roblox game being developed for the big screen could test the limits of the recent success of video game film adaptations.

“Grow a Garden,” a gardening sim in which players plant seeds, sell their crops for in-game currency called sheckles, and then use that money to purchase more seeds, is reportedly being adapted as a feature film by production company Story Kitchen (which has adapted other video games for the big and small screen such as “Tomb Raider”). Can we start the awards season buzz now?

The game has become hugely popular, boosting Roblox’s player counts and breaking concurrent user records multiple times in recent months. It was also originally created by a 16-year-old.

No doubt Hollywood, and Roblox, are hoping that every kid-friendly video game adaptation can see the billion-dollar (or close to it) success of Nintendo’s “The Super Mario Bros. Movie” and Microsoft’s “A Minecraft Movie.”

The game has become hugely popular, boosting Roblox’s player counts and breaking concurrent user records multiple times in recent months. It was also originally created by a 16-year-old.

No doubt Hollywood, and Roblox, are hoping that every kid-friendly video game adaptation can see the billion-dollar (or close to it) success of Nintendo’s “The Super Mario Bros. Movie” and Microsoft’s “A Minecraft Movie.”

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Luke Kawa

Thieves are targeting “Pokémon” cards in robberies since they’ve skyrocketed in value

A real-life mishmash of different Team Rocket wannabes is having a lot more success thieving “Pokémon” cards than Jessie and James ever did in their attempts to pilfer Pikachu throughout the anime series.

The Washington Post reports on a string of DC-area heists of “Pokémon” cards, with CGC Cards Vice President Matt Quinn quoted as saying, “Any time you’re carrying around collectibles that are worth money, whether it be gold bars, Pokémon cards, coins, toy trains, or whatever it might be, you have to be vigilant with knowing that you’re carrying collectibles that can be easily stolen from you,” adding that these episodes are happening across the country.

Gotta thieve ’em all is an outgrowth of the massive boom in the value of “Pokémon” cards, with The Wall Street Journal reporting on 3,000% returns earlier this year. Their meteoric rise has been a big boon to GameStop, whose collectibles business has played a critical role in the stabilization and nascent turnaround of its operations.

Both individual cards and unopened packs have been targeted in robberies of stores and personal residences, per the Post report.

Stealing unopened packs of “Pokémon” cards is effectively thieving and buying call options at the same time: an individual pack might not be worth much on its own, but the most valuable cards in the recently released Mega Evolutions set are going for over $1,000. And at about 23 grams per pack and relative differences in security, the logistics seem a lot less onerous than trying to rob a gold dealer.

(Note: I don’t know for sure. I’m not a thief, besides that Klondike bar one time in high school.)

culture

iHeartMedia surges on report Netflix, competing with YouTube, wants its video podcasts

Video podcasts are becoming a key part of Netflix’s efforts to keep pace closely behind YouTube in the streaming wars.

According to reporting by Bloomberg, the streamer is in talks to exclusively license video pods from iHeartMedia. Shares of IHRT surged on Tuesday morning.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

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