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Guiyang IMAX GT Cinema Brought To Life By Ne Zha 2
(Qu Honglun/Getty Images)

IMAX is doubling down on 2025 being a blockbuster year

China’s “Ne Zha 2” animation is already breaking records for the company.

Christopher Nolan, the director behind “Oppenheimer” and “Interstellar,” became the first filmmaker to make a feature-length movie with several scenes shot in IMAX with 2008’s “The Dark Knight.” Now, 17 years and six Nolan movies later, it seems more people are catching up with the auteur’s obsession with the format.

Think big

Last Friday, IMAX’s chief exec, Richard Gelfond, reiterated the company’s $1.2 billion target for Imax box office takings in 2025, describing the year’s upcoming release schedule as an “embarrassment of riches,” with a record 14 movies in this year’s “filmed for IMAX” program

The good news for cinephiles who want to pay a little more to immerse themselves in the largest, clearest pictures in history, or “3-D without the glasses,” as Nolan puts it? There are more places to do so than ever.

IMAX locations chart
Sherwood News

According to IMAX’s latest annual report, there were a record 1,807 locations with IMAX systems around the world at the end of 2024, 96% of which were commercial multiplexes. Interestingly, Greater China made up a whopping 45% share of IMAX systems last year, making it the company’s biggest region by far.

That’s already working well for IMAX into 2025. The CEO of the company behind the family of products — which includes high-res cameras capable of handling larger film formats, and the projectors and tech to screen the results across theaters around the world — singled out the recent success of “Ne Zha 2.” The Chinese megahit is the highest-grossing animation in history, with almost $1.9 billion at the time of writing, having demolished the previous IMAX animation record haul set by “The Polar Express” over 20 years ago

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Thieves are targeting “Pokémon” cards in robberies since they’ve skyrocketed in value

A real-life mishmash of different Team Rocket wannabes is having a lot more success thieving “Pokémon” cards than Jessie and James ever did in their attempts to pilfer Pikachu throughout the anime series.

The Washington Post reports on a string of DC-area heists of “Pokémon” cards, with CGC Cards Vice President Matt Quinn quoted as saying, “Any time you’re carrying around collectibles that are worth money, whether it be gold bars, Pokémon cards, coins, toy trains, or whatever it might be, you have to be vigilant with knowing that you’re carrying collectibles that can be easily stolen from you,” adding that these episodes are happening across the country.

Gotta thieve ’em all is an outgrowth of the massive boom in the value of “Pokémon” cards, with The Wall Street Journal reporting on 3,000% returns earlier this year. Their meteoric rise has been a big boon to GameStop, whose collectibles business has played a critical role in the stabilization and nascent turnaround of its operations.

Both individual cards and unopened packs have been targeted in robberies of stores and personal residences, per the Post report.

Stealing unopened packs of “Pokémon” cards is effectively thieving and buying call options at the same time: an individual pack might not be worth much on its own, but the most valuable cards in the recently released Mega Evolutions set are going for over $1,000. And at about 23 grams per pack and relative differences in security, the logistics seem a lot less onerous than trying to rob a gold dealer.

(Note: I don’t know for sure. I’m not a thief, besides that Klondike bar one time in high school.)

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iHeartMedia surges on report Netflix, competing with YouTube, wants its video podcasts

Video podcasts are becoming a key part of Netflix’s efforts to keep pace closely behind YouTube in the streaming wars.

According to reporting by Bloomberg, the streamer is in talks to exclusively license video pods from iHeartMedia. Shares of IHRT surged on Tuesday morning.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

Under the deal, iHeartMedia, which produces shows like “Las Culturistas,” “The Breakfast Club,” and “Jay Shetty Podcast,” would reportedly stop posting full episodes on YouTube — the site that more than a billion people use to watch podcasts every month.

Netflix made a similar deal with Spotify last month and will begin streaming 16 video podcasts produced by Spotify Studios early next year.

According to the Nielsen Gauge, YouTube pulled in 12.6% of all TV viewership in September, compared to 8.3% for Netflix.

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