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Print magazines aren’t dead — in 2024, they’ve just gone premium

Advertising dollars continue to go online, but some print magazines are seeing revivals as luxury leisure products.

Millie Giles

Generation after generation have experienced the shifting sands of media. We’ve seen video kill radio; CDs kill cassettes; DVDs kill VCR, before streaming killed DVDs — and, for the last decade, we’ve watched (often from behind a screen) the digital-media boom size itself up against long-declining print publications.

According to Magna data cited by Bloomberg, at its peak in 2007, annual advertising revenues from print publications were as high as $19.5 billion in the US. Since then, the industry has turned a new page, with almost every ensuing year bringing in less advertising revenue than the one before.

Print advertising chart
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Perhaps, though, as Amanda Mull argued in an insightful Bloomberg article published last Thursday, this year has not seen print die at the hands of digital as one might have anticipated. Instead, just like film cameras, bookstores, and vinyl records, print media is seeing something of a revival, with established magazines rebranding from ubiquitous digests to more specialized luxury “leisure products.”

While the golden age of print is well behind us — the same Bloomberg piece reported that even mega-publisher Condé Nast is “no longer a magazine company,” per its CEO — an increasing number of legacy media outlets announced plans to revamp previously ditched physical print offerings in 2024, including NME, Nylon, Vice, Life, and The Onion. Moreover, some digital-born publications are now also giving print a chance, with Vox Media’s The Cut launching its first-ever Fall Fashion print issue this September.

However, keeping widespread attention isn’t the primary objective of print magazines anymore. As outlined by Mull, the success of enduring print publications (The New Yorker, Vogue, Architectural Digest, etc.) relies on their readers’ distinct interests, tastes, and intellects to sustain sales. Indeed, the rise in the number of small-scale indie publications going to print offers some proof that the value of a readership now lies in quality rather than quantity — a virtue that appeals to advertisers, who’ve grown conscious that the often more affluent, tuned-in readership of some print publications are harder to engage with online.

In fact, the print medium is now increasingly used as a marketing tool itself: according to the report, the Costco Connection is one of America’s most successful magazines today, with a monthly circulation of more than 15 million.

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Prediction markets show Chalamet in the lead for Best Actor, but Actor Awards could shake up race

The final voting period has kicked off for the 98th Academy Awards. Up until last weekend, many of the main categories seemed like a lock. While “Hamnet” star Jessie Buckley has been the predicted front-runner for the Best Actress statuette for some time now, the Best Actor and Best Supporting Actor and Actress races have been upended following the BAFTA Film Awards.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

While Timothée Chamalet still remains in the lead for the Best Actor prize, his odds have gone down slightly after he lost the BAFTA award, while the wins of Wunmi Mosaku and Sean Penn in the supporting categories have made it a more exciting race. Here’s a roundup of what some experts and awards pundits have said this week:

  • While Gold Derby still has Chalamet as the front-runner for the Actor Award (and the Oscar), his odds have gone down slightly following the BAFTA loss. Surprisingly, the publication has “Weapons” star Amy Madigan in the lead to win the Actor Award for supporting actress, while they have Penn as the front-runner getting the Actor Award for supporting actor.

  • Numlock Awards reports that the BAFTA Awards reshaped the Oscars race, with Chalamet’s loss throwing the Best Actor race “into chaos” following “I Swear” star Robert Aramayo’s win. (He was not eligible to be nominated for an Oscar.)

  • Meanwhile, Variety’s Clayton Davis reports that the Oscars race has officially become “fractured, unpredictable and thrilling” following the BAFTA Awards. However, he predicts that “Sinners” star Michael B. Jordan will win the Actor Award this weekend and has heard rumblings that “Blue Moon” star Ethan Hawke could pull a last-minute victory. 

  • IndieWire’s Anne Thompson says that Chalamet is “good to go” for the Actor Awards and the Oscars, adding that the Best Supporting Actress and Actor categories are the ones to keep an eye on.

  • Deadline’s Pete Hammond believes that Chalamet’s BAFTA loss doesn’t necessarily impact the Actor Awards — Aramayo isn’t nominated for an Oscar and the BAFTA Awards tend to favor homegrown actors. He agreed with many of the other pundits in that Mosaku and Penn’s wins add more suspense.

  • AwardsRadar’s Joey Magidson points out that no one has ever won two Actor Awards in a row, which could open Chalamet up to an upset win from Hawke. 

  • Meanwhile, AwardsWatch’s Erik Anderson has Chalamet as a lock for the Actor Award, though he lists Jordan as the follow-up should there be a surprise win in that category.

The Actor Awards are on Sunday, and whoever wins that evening could lock in the fate of the actors in the lead and supporting Oscar categories.

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Apple and Netflix announce a Formula 1 content swap

Just months after Apple signed a five-year, $140 million-per-year deal for US media rights to Formula 1 races, the streamer is sharing with Netflix.

In a rare content swap, Apple TV will allow Netflix to simulcast the F1 Canadian Grand Prix in May. Netflix, in turn, will allow Apple to carry its popular “Drive to Survive” docuseries.

“Drive to Survive” will land on the queues of both Netflix and Apple TV at 12 a.m. PT this Friday.

The docuseries has been a major driving force behind F1’s increasing popularity in the US, with more than half of the sport’s followers crediting “Drive to Survive” as a key reason they became fans, per a 2022 survey.

“Drive to Survive” will land on the queues of both Netflix and Apple TV at 12 a.m. PT this Friday.

The docuseries has been a major driving force behind F1’s increasing popularity in the US, with more than half of the sport’s followers crediting “Drive to Survive” as a key reason they became fans, per a 2022 survey.

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Trump’s speech broke the record for the longest State of the Union address ever

Much like the US men’s hockey team as they walked into the House Chamber during President Trump’s address, there would have been plenty of “mention” traders celebrating at least a few of the president’s ~10,600 words on Tuesday evening, including “hottest,” “egg,” and “alien.”

Lasting almost 108 minutes, Trump’s speech yesterday officially became the longest State of the Union address of the television age, per Bloomberg, surpassing the previous record of 89 minutes set by President Bill Clinton in 2000.

According to data compiled by The American Presidency Project, the president’s address was almost double the average length of all recorded SOTU speeches since 1964, which works out as 55 minutes.

Trump SOTU address
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The speech also marked what could be a new personal best in terms of length for Trump, beating his remarks to Congress in March 2025 by 8 minutes, though this was not included in the average as, according to the APP, it was not an official “State of the Union” speech.

The APP also calculated a preliminary figure for 2026 in terms of word count, and the current president trumped all other spoken-word SOTU addresses. Some addresses, however, haven’t been verbally delivered, and a couple of the written versions have racked up considerably greater tallies — most notably Jimmy Carter’s 1981 written address, which came in at 33,667 words in total.

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