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Print magazines aren’t dead — in 2024, they’ve just gone premium

Advertising dollars continue to go online, but some print magazines are seeing revivals as luxury leisure products.

Millie Giles

Generation after generation have experienced the shifting sands of media. We’ve seen video kill radio; CDs kill cassettes; DVDs kill VCR, before streaming killed DVDs — and, for the last decade, we’ve watched (often from behind a screen) the digital-media boom size itself up against long-declining print publications.

According to Magna data cited by Bloomberg, at its peak in 2007, annual advertising revenues from print publications were as high as $19.5 billion in the US. Since then, the industry has turned a new page, with almost every ensuing year bringing in less advertising revenue than the one before.

Print advertising chart
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Perhaps, though, as Amanda Mull argued in an insightful Bloomberg article published last Thursday, this year has not seen print die at the hands of digital as one might have anticipated. Instead, just like film cameras, bookstores, and vinyl records, print media is seeing something of a revival, with established magazines rebranding from ubiquitous digests to more specialized luxury “leisure products.”

While the golden age of print is well behind us — the same Bloomberg piece reported that even mega-publisher Condé Nast is “no longer a magazine company,” per its CEO — an increasing number of legacy media outlets announced plans to revamp previously ditched physical print offerings in 2024, including NME, Nylon, Vice, Life, and The Onion. Moreover, some digital-born publications are now also giving print a chance, with Vox Media’s The Cut launching its first-ever Fall Fashion print issue this September.

However, keeping widespread attention isn’t the primary objective of print magazines anymore. As outlined by Mull, the success of enduring print publications (The New Yorker, Vogue, Architectural Digest, etc.) relies on their readers’ distinct interests, tastes, and intellects to sustain sales. Indeed, the rise in the number of small-scale indie publications going to print offers some proof that the value of a readership now lies in quality rather than quantity — a virtue that appeals to advertisers, who’ve grown conscious that the often more affluent, tuned-in readership of some print publications are harder to engage with online.

In fact, the print medium is now increasingly used as a marketing tool itself: according to the report, the Costco Connection is one of America’s most successful magazines today, with a monthly circulation of more than 15 million.

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Netflix climbs ahead of “Stranger Things” streaming premiere amid reports it is ramping up its efforts to acquire WBD

The final season of Netflix’s tentpole franchise “Stranger Things” debuts on the streamer at 8 p.m. eastern on Wednesday, and its stock appears to be safely out of the upside down.

Netflix is trading up about 2% on Wednesday, on pace for one of its better days in the past three months. The stock has only closed up more than 3% a dozen times this year.

Potentially boosting investor optimism is a New York Post report from Tuesday evening that the streamer has ramped up its efforts to acquire Warner Bros. Discovery. According to the Post, Netflix has made a case to the WBD board that antitrust concerns may not be warranted because Netflix competes not just with other streaming companies but with a larger pool of content providers, such as YouTube and TikTok. If Netflix’s legal team is right, the idea could pave the way for the world’s largest streamer by subscriber count to buy the fourth largest.

At least one major Hollywood player is rooting against the company in the WBD bidding war. “Titanic” and “Avatar” director James Cameron this week said that Netflix acquiring WBD “would be a disaster.”

Morgan Stanley analysts have also argued that Neftlix’s pursuit of these studio and streaming assets was creating headaches for its investors.

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